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Anna Ancher
kyhn i sit atelie
1903
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Anna Ancher
de nye jagtstovlar
1903
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Anna Ancher
frokost for jagten
1903
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Anna Ancher
interior med klematis
1913
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Anna Ancher
portraet af mor
1913
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Anna Ancher
dagens arbejde bedommes
1882
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Anna Ancher
en buket blomster
1919
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Anna Ancher
interior
brondums annex
1918
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Anna Ancher
for kongebesoget
1909
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Anna Ancher
interior med stol og plante
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Anna Ancher
hostarberjdere
1905
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Anna Ancher
snelandskab
skagen. ca 1910
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Anna Ancher
tur hos damerna
1885
akvarell,70.5x52.5
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Anna Ancher
Sewing fisherman's wife
Date 1890(1890)
Medium Oil on canvas
Dimensions 59 x 48 cm
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Anna Ancher
Little Brother
Date 1905(1905)
Medium Oil on canvas
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Anna Ancher
House interior
Date 1918(1918)
Medium Oil on canvas
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Anna Ancher
Old Lene Plucking a Goose
Date 1890(1890)
Medium Oil on canvas
Dimensions 70.3 x 53.4 cm
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Anna Ancher
Mission Meeting at Fyrbakken in Skagen
Date 1903(1903)
Medium Oil on canvas
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Anna Ancher
Young Girl in front of Mirror
Date 1899(1899)
Medium Oil on canvas
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Anna Ancher
Mrs Ane Brondum in the blue room
Date 1913(1913)
Medium Oil on canvas
Dimensions 55.8 x 42.7 cm
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| Anna Ancher
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Danish Painter, 1859-1935
was the only one of the Skagen Painters that was actually born in Skagen, Denmark. Anna Ancher was born and grew up in the northernmost area of Jutland, called Skagen (the Skaw). Her talent became obvious at an early age and she grew acquainted with pictorial art via the many artists who settled to paint in Skagen. Anna Ancher studied drawing for 3 years at the Vilhelm Kyhn College of Painting in Copenhagen. However, Anna Ancher developed her own style and was a pioneer in observing the interplay of different colours in natural light. She also studied drawing in Paris at the atelier of Pierre Puvis de Chavannes along with Marie Triepcke, who would marry Peder Severin Krøyer, another Skagen painter. In 1880 she married fellow painter Michael Ancher, whom she met in Skagen. They had one daughter, Helga Ancher. Despite pressure from society that married women should devote themselves to household duties, she continued painting after marriage. Anna Ancher is considered to be one of the great Danish pictorial artists by virtue of her abilities as a character painter and colourist[citation needed]. Anna Ancher's art found its expression in Nordic art's modern breakthrough towards a more truthful depiction of reality, e.g. in Blue Ane (1882) and The Girl in the Kitchen (1883-1886). Anna Ancher preferred to paint interiors and simple themes from the everyday lives of the Skagen people and fishermen,
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